《欧洲的某个地方》电影高清完整版在线观看_欧洲的某个地方高清完整版下载-免费视频分享-爱看影视

影片信息

片名：欧洲的某个地方
状态：HD中字
主演：Artúr/Somlay/Miklós/Gábor/Zsuzsa/Bánki/
导演：Radványi/Géza/
年份：1948
地区：其它
类型：剧情/
时长：内详
上映：未知
语言：其它
更新：2025-06-17 16:57
简介：Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

337
微信扫一扫

复制下方链接，去粘贴给好友吧 -欧洲的某个地方复制链接
关注公众号观影不迷路
扫一扫用手机访问

立即播放无尽

选择来源

无尽

8.0

网友评分

很差
较差
还行
推荐
力荐

481次评分

8.0

网友评分

很差
较差
还行
推荐
力荐

481次评分

给影片打分《欧洲的某个地方》

很差
较差
还行
推荐
力荐

我也要给影片打分

扫一扫用手机访问

首页电影剧情欧洲的某个地方

播放列表

当前资源来源无尽 - 在线播放,无需安装播放器

倒序

无尽

HD中字

剧情简介

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

为你推荐

换一换

TC

浴血黑帮：不朽传奇（电影版）

10.0 基里安·墨菲/丽贝卡·弗格森/蒂姆·罗斯/苏菲·兰朵/奈德·丹内利/派克·李/伊恩·佩克/杰伊·利库戈/巴里·基奥恩/斯蒂芬·格拉汉姆/萨米·乔纳斯·希尼/鲁比·阿什伯恩·瑟金斯/山姆·贝克-琼斯/卡斯珀·希尔顿-希勒/马丁·安格鲍尔/马克·威尔金森/托马斯·阿诺德/安迪·M·米利根/罗利·威尔逊/马克斯·凯文汉姆/
HD中字

危邻

4.0 内详/
HD中字

失婴之谜

4.0 卢克·卡米莱/吉吉·索尔·格雷罗/
HD中字

设身成椅

7.0 朱丽叶特·刘易斯///马莫多·阿西///萨曼莎·玛西丝///罗宾·汤尼/
HD中字

麦哲伦

10.0 盖尔·加西亚·贝纳尔///达里奥·亚斯贝克·贝纳尔///拉斐尔·莫雷斯/
HD中字

厚望

2.0 内详/
HDTS

呼啸山庄2026

4.0 玛格特·罗比/雅各布·艾洛蒂/沙扎德·拉蒂夫/周洪/伊万·米切尔/薇琪·佩珀代因/马丁·克鲁勒斯/保罗·瑞斯/艾莉森·奥利弗/杰西卡·奈佩特/艾米·摩根/加布里埃尔·比塞特/欧文·库珀/夏洛特·梅林顿/薇·阮/米莉·肯特/Robert·Cawsey/Louie·Benjamin·Potts/Treyston·Braine/Jaydon·Eastman/
HD中字

传家宝

6.0 格雷丝·格洛威克/Ben·Petrie/
HD中字

韩国制造的我

5.0 朴惠珍/普里扬卡·阿鲁莫汉/
HD中字

安·李的遗嘱

10.0 刘易斯·普尔曼/托马辛·麦肯齐/阿曼达·塞弗里德/斯塔西·马汀/克里斯托弗·阿波特/蒂姆·布雷克·尼尔森/斯科特·亚历山大·杨/马修·比尔德/斯科特·汉迪/维奥拉·佩雷特约翰/杰米·博吉奥/米丽-萝丝·克若斯莉/大卫·卡勒/

HD中字

远郊

6.0 丹尼尔·艾萨克/丽亚·德拉利亚/艾莎·凯特·狄龙/塞德里克·卡布雷拉/路易莎·克劳斯/Ridley·Asha·Bateman/Melinda·Meeng/Allie·Heng/Winter·Dewitt/Safiya·Fredericks/Anya·Prinz/Michael·Manceau/David·Boyll/Stanislav·Nyu/Riley·Ornido/Tamar·Cohn/Hélène·Park/Musik·Ulbrich/Mark·Heidohrn/Trevor·Hooper/
HD

女孩2026

4.0 邱泽/谢琼煖/刘冠廷/黄镫辉/梁正群/曾珮瑜/刘品言/白小樱/汤毓绮/林品彤/赖雨霏/陈竹升/
HD国语

老周夜惊情

9.0 王晓禹/麦霁雯/陈最/
TC

暗黑新娘！

9.0 佩内洛普·克鲁兹/克里斯蒂安·贝尔/杰克·吉伦哈尔/约翰·马加罗/朱莉安·浩夫/安妮特·贝宁/马科·查卡/马修·马希尔/彼得·萨斯加德/路易斯·坎瑟米/杰西·巴克利/威廉·希尔/珍妮·柏林/伊莲·阿普鲁泽西/斯蒂芬妮·特洛亚克/马西尔·摩丹/莉迪亚·凯莉/索菲娅·科/本·格林/安东尼·贝里尼/
HD中字

唯有追忆

9.0 亚当·巴克里/萨莱·巴克里/雪梨·道比什/穆罕默德·巴克里/亚当·科哈塔/多米尼克·马林札/玛丽亚·兹莱克/拉姆齐·马克迪斯/哈雅特·阿布·萨马拉/穆哈迈德·阿比德·埃尔拉赫曼/
HD中字

希望的鹳鸟

5.0 安娜·穆查/Nadine·Heidenreich/Anna·Yuzhakova/Tatiana·Garkusha/Lyudmila·Sidorkevich/
HD中字

祈祷的眼泪 2

1.0 Titi·Kamal/Citra·Kirana/Muhammad·Faqih·Alaydrus/Daffa·Wardhana/
HD中字

禁忌凝视

7.0 克里斯托弗·约纳尔/皮娅·吉尔塔/凯瑟琳·索博格·约翰森/Tarek·Zayat/Kristoffer·Sagmo·Aalberg/Ismael·Al-Khazaali/Ibrahim·Amaev/Anna·Bakke/Negusse·Berhe/Selma·Brattabø/Osama·Dabagh/Benjamin·Ebbesen/Ragnhild·Gudbrandsen/Johannes·Hageseter/Téa·Grønner·Joner/Celine·Knag/Njål·Lambrechts/
HD中字

恶徒

7.0 安森·布恩/安德丽娅·赖斯伯勒/斯蒂芬·格拉汉姆/卡勒姆·布斯-福特/基特·拉库森/诺亚·曼祖尔/奥斯汀·海恩斯/萨万娜·斯泰恩/Monika·Frajczyk/
HD国语

庄户剧团

9.0 韩克/刘二宝/

HD中字

黛安的天堂

10.0 奥萝尔·克莱芒/邓肯·艾尔利·詹姆斯/奥马尔·阿尤索/José·Roberto·Díaz/Eddie·Register/Dorothée·de·Koon/Roland·Bonjour/
HD中字

寻找龙涎香

5.0 光俊/清南/麻兰都/元草/尹国丹/
HD中字

休战

10.0 克里斯蒂安·斯塔姆/哈维尔·佩雷伊拉/阿隆·陂佩/比森特·贝尔加拉/丹尼尔·霍瓦斯/Altynai·Nogherbek/费尔南多·瓦尔迪维尔索/米格尔·埃尔南/Peter·Nikolas/Alejandro·Jato/Federico·Pérez·Rey/何塞·帕斯塔/Manel·Llunell/Sergey·Ufimtzev/金娜·塔斯布拉托娃/Diego·Montejo/Sara·Robisco/Farabi·Akkozov/Manuel·Cordero/Vladimir·Dimitrov/
HD中字

退伍军官

9.0 沙鲁巴·舒克拉/莫娜·辛格/拉狄卡·马丹/亚尼·卡普尔/Aditya·Rawal/Faisal·Malik/Amit·Jha/Vikram·Pratap/Harsh·Purwar/Lata·Shukla/Esha·Shital/
HD中字

证人2024

2.0 Maryam·Bobani/Nader·Naderpour/Hana·Kamkar/Abbas·Imani/Ghazal·Shojae/
HD中字

高地庄园谋杀案

10.0 内详/
HD

用武之地

10.0 潘斌龙/肖央/郑恺/任达华/齐溪/奥黛丽·欧塔维阿诺/法提/
HD

武器之刀光剑影

6.0 元宝/李乾铭/张春仲/于又川/王鹰/曹禹澄/李雄/张星阑/冯瀑/齐·宝力高/李梦瑶/孔孝信/孙祎彤/
HD中字

当我的指尖触碰到你的温度时电影版

1.0 元太珉/燾宇/
HD中字

我不再爱你

10.0 马库斯·亨德森/亨利·埃斯特韦/希望·劳伦/

换一换